alfreda89: (FSM)
I was researching Llewellyn in its many branches and incarnations, trying to decide if an acquaintance's book might do well there. Apparently they have a long tradition of editing without author input or permission, and even cutting sections of anthologies when they feel their readership would not be receptive to the ideas. So...I need to talk to someone with more recent experience with them, but right now they are not looking like a good candidate for this particular book.

While doing this research I found a link to a list of the various essays in Chas S. Clifton's Witchcraft Today series. This series of books abruptly ended when Llewellyn rejected five essays for the fourth volume, Living Between Two Worlds. Clifton has four of the five essays posted on his site (many of them later published in other venues) and one of them was "Karma and Obsession" by Patricia Kennealy-Morrison. I had not dipped into her nonfiction work and thought I would see what Lewellyan had rejected.

If Lewellyan did not want something of this power, with this much of a mirror to check illusion at the doorway, then it's not the publisher for my acquaintance. She talks about the danger of rolling over from admiration into obsession and finally theft of someone else's creativity...to the detriment of your own creativity and karma.

Not for weekend witches, apparently.

"But what no creator ever intends, unconsciously or otherwise, is that the beholders of his or her art should attempt to co-opt that art simply because those beholders are too damn lazy of brain or sluggish of spirit to do any thinking or seeking or creating of their own. The Holy Grail (and, yes, there are many Grails . . .) was not found by sitting in front of the tube and obsessing on Trek; the world will not be changed by staring slacker-jawed at MTV; work and query are ever the watchwords. Whom, indeed, does the Grail serve?

What we have here is the tyranny of misapplied imagination, the profligate waste of creativity and insight, all squandered on something stolen. The evil of it cannot be overestimated, and it can be fatal, even epidemic, if left chronically untreated. J.R.R. Tolkien, who understood better than just about anyone else how this works, was blunt and plain-spoken about what our response should be: We are all in prison, he wrote, our spirits shackled by the money-grubbers and the soul police and the time-servers. If we are creative persons, it is our bounden duty to escape this, and we must take as many people with us as we can."


This essay finally ended up in Red Queen. It's not going to be to everyone's taste, but I found it interesting and revealing.

I'll be looking for more of her work.
alfreda89: 3 foot concrete Medieval style gargoyle with author's hand resting on its head. (Mascot)
On Persuasion, the transition into mature writing she did not live to make:

"Her attitude to life itself is altered. She is seeing it, for the greater part of the book, through the eyes of a woman who, unhappy herself, has a special sympathy for the happiness and unhappiness of others, which, until the very end, she is forced to comment upon in silence. Therefore the observation is less of facts and more of feelings than is usual. There is an expressed emotion in the scene at the concert and in the famous talk about woman's constancy which proves not merely the biographical fact that Jane Austen had loved, but the aesthetic fact that she was no longer afraid to say so. Experience, when it was of a serious kind, had to sink very deep, and to be thoroughly disinfected by the passage of time, before she allowed herself to deal with it in fiction. But now, in 1817, she was ready. Outwardly, too, in her circumstances, a change was imminent. Her fame had grown very slowly. "I doubt," wrote Mr. Austen Leigh, "whether it would be possible to mention any other author of note whose personal obscurity was so complete." Had she lived a few more years only, all that would have been altered."

What if she had lived until sixty? Or matched her brother at ninety-one?
alfreda89: 3 foot concrete Medieval style gargoyle with author's hand resting on its head. (USS Enterprise Lightning)
Because she is tired of men (always men) who ask her if she's still writing, and she's realized that it's not just her. Those men are doing it to any successful woman.

And she's fed up.
alfreda89: 3 foot concrete Medieval style gargoyle with author's hand resting on its head. (Mascot)
Thanks to the wonderful [livejournal.com profile] marthawells and [livejournal.com profile] scott_lynch I can pass on a lot of very good points while not feeling guilty about the ton of work to accomplish over the next three days, two of them ideally out of town at a seminar.

The business of publishing used to be a "gentleman's game" and it moved glacially. Now it is firmly hooked into the entertainment industry, and it moves at warp speed. There are only a few things you can take with you on this journey of a lifetime.

1) Your talent and the desire to hone it. We're talking about your gift for storytelling, your desire to entertain, and your efforts to learn how to do that well. The better you do it? The longer anyone will want to read your story. Even if we normally wouldn't read a book written as formally as Pride and Prejudice, we want to know what happens--because she told an eternal story well.

2) Your professionalism. Be an honest, generous, hardworking person in all your dealings. It's like courtesy--it costs little, on a galactic scale, and often pays great dividends. Even if you don't "get" why it matters? Do it. In the end, you will "get" it. One thing this will help you find is like-minded people to band with, loosely and tightly. Friends make the ride worthwhile, and you can help each other along the way.

3) Your curiosity about life. This will give you Story, this will give you strength to pull through the hard times, this will give you a sense of humor. Curiosity adds spice and color to life.

Most other things can (and possibly will) be taken from you in this journey. You may get them back. You may not get them back. The above things will help you process adversity and move forward.

If you can keep these three things, you have a leg up on the rest of the universe. You will do well at what you do, even if Polite Society doesn't recognize it right away.

You will live a full life.

And now, our Feature:

Originally posted by [livejournal.com profile] marthawells at Information is Your Friend
Scott Lynch is being wise about the process of becoming a professional writer here: Being good can be a shortcut. There is no shortcut to being good.
Read more... )
alfreda89: 3 foot concrete Medieval style gargoyle with author's hand resting on its head. (Mascot)
But then if you read his works, you already know that, don't you?

Guy is one of my favorite people that I lost track of in the Life, interrupted stage of being ill. I think of him fondly and always wish the best for him. Here's an essay he did for John Scalzi's Whatever on reoccurring themes in his work, and his new novel River of Stars. It was the Big Idea on my sister's birthday!

Yes, actually -- he talks like that.

Enjoy.
alfreda89: 3 foot concrete Medieval style gargoyle with author's hand resting on its head. (Polar Lights)
My love note and thanks to Ursula K. LeGuin, in honor of her 80th birthday. Hope you like it!

http://blog.bookviewcafe.com/2009/10/21/yes-%E2%80%93-fantasy-is-the-language-of-the-night/

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